Welcome to www.vietatonline.com - museum
<hand-in-hand with the myths of infection>
<an invitation to contagion within a navigable space>
<the virus has been archived and historicized as an object>
www.vietatonline.com – museum - work in progress
www.vietatoonline - virus museum - offers a wide collection of objects/viruses archived and historically ordered.
The museum offers information concerning viruses, anti-viruses, myths, hackers and where to find them on the web. The museum supports freedom of information, and therefore places its collection at everyone's disposal. Anyone can obtain a virus from our collection by sending us a request via e-mail.
The museum's collection contains some 1300 works (as of September 2000) and has been established principally through donation. The collection is open
to all, from beginners to experts, including hackers. If you send a virus of your own making or one that has infected your computer, you will
automatically become an honorary member of the www.vietato.org.
Note: < The sites to which this page links may contain live viruses, and/or explicit language. We take no responsibility for what you find out there.
This site contains links to other web sites. The museum does not endorse the violation of intellectual copyright or the distribution of inappropriate material. Our private policy does not apply to linked sites.
www.vietato.org takes no responsibility for the inappropriate use of its
viruses, either downloaded or requested by e-mail. >
Notes on the organisation of the www.vietatonline.com – museum –
1-The works are classified by type, author, name, dimension, and country of
origin and technical characteristics, as well as by type of agreement with the "WWW.VIETATONLINE.COM": donation , loan, web. The works are numbered according to the order in which they have been catalogued.
2- Those viruses for which the museum has been unable to find complete
information on-line have been archived, using the symbol # for the missing
data in the classification codes.
3-webHeritage " and " hackerYourself "
The alphanumeric red code represents the cataloguing number of the viruses in the collection.
4- Principal sources:
all those websites to which the museum refers
>www.vietatonline.com
>essila paraiso
>via pier lombardo 23
>20135 milano
>italia
>
>Tel 025517120
>Fax 025517120
>E-MAIL
>
>Thank you for visiting
>
essila paraiso
BORN in Italy –1941
Lives in Brazil since 1946 ad 1985
Since 1987 she lives in Milan
Background
1984 –1987 Museologia -Università di Rio de Janeiro (UNIRIO); Rio de Janeiro, RJ
1972/74 - Centro de Pesquisa de Arte, Rio de Janeiro, RJ
1969/72 - Escola de Artes Visuais, - EAV – RJ, Rio de Janeiro
One-man exhibitions
2001 <"www.vietatonline"> work in progress
1998 <"TRAN-TRAN"> work in progress
1982 – “Em Arte nada se cria,nada se perde tudo se transforma”- Filme de André Parente sobre a exposição “ História da Arte”, de Essila Paraiso, Funarte, Rio de Janeiro
1981 -”Viagem Pitoresca”, Solare Grandjean de Montgny, PUC (Catholic University), Rio de Janeiro
1980 - ” Historia da Arte”, Espaço ABC (Espaço Arte Contemporânea), Funarte, Rio de
Janeiro
1978 - ”Exposição Fotografica”, MAM, Museum of Modern Art, Rio de Janeiro
1976 – Project ”Opera Aperta/ Opera Arte”, Escola de Artes Visuais, Parque, Rio de
Janeiro
Group exhibitions
2001 - “ Trajetória da Luz na Arte Brasileira”, Itaú Cultural, São Paulo, Brasil
1985 - ”Atitudes Contemporaneas”, Sala Especial do 8° Salão Nacional de Artes
plasticas, Funarte/Instituto Nacional de Artes Plasticas, Rio de Janeiro, 1985
1977 - ”Editions & Comunicazione in America Latina”, Le Havre (France and other european cites
- “Poeticas Visuais”, Museum of Comtemporary Art, São Paulo
1973 - Libraria Divulgação e Pesquisa, Rio de Janeiro
Works published in magazines/newspapers
1977 - Gam, aprile/maggio, n°38x
1977- Jornal do Brasil, april 17, in the Guia Semanal das Artes – sale of 2Objects of Art” – advertisement of objects ( on which art had been applied), as part of the project – “In Matter of Art Nothing is Lost, Lost is Transformed”
1977- Jornal do Brasil, june 26, in the Guia Semanal das Artes – Offer of “Bolsas de Arte”- as part of the project – “In Matter of Art Nothing is Lost, Lost is Transformed”
1976 - Gam, agosto, n°30
Film :
-“Historia da Arte” - Concine , Rio de Janeiro- RJ, 1982
<"TRAN-TRAN"> 1998 - work in progress
>Starting from a destabilizing artistic behavior and/or thought, to use the medium (computer) to modify the passive technological automatism of the user by an interruption or disturbance capable of capturing his attention>
www.vietatonline.com - to bring into the Web a destabilizing artistic idiom,using the language of the Web, -THE VIRUS-, duplicating the behavior of art museums; offering culture = services, information, etc.
1999 - in working
>"Falso d'artista" - this consists in sending an e-mail simile to those transmitted by pranksters and, at the same time, using a meta-language, either sending messages or using the chain-letter format. I intend to repeat this same behavior: sending virtual viruses, that is, notreal ones.
Target : galleries, museums, art critics and all the addresses that arrive to me directly or indirectly. All messages will be sent addressed ad personam,dated,and numbered.
1998 - work in progress
>"I love you"- using the press on the spread of New Viruses - send an e-mail entitled, - I LOVE YOU -
Target : galleries, museums, art critics and all the addresses that arrive to me directly or indirectly. All messages will be sent addressed ad personam.
2000 - work in progress
>"New love"- using the press on the spread of New Viruses - send an e-mail entitled,- CIAO AMICO -
Target : galleries, museums, art critics and all the addresses that arrive to me directly or indirectly. All messages will be sent addressed adpersonam.
2000 - work in progress
>" Resume-essila paraiso"- it consists in sending a curriculum vitae as attachment, using the information available from the media on New Viruses("a job's request and a curriculum vitae in attachment, "Resume.doc", that infects the computer).
Target : galleries, museums, art critics etc..
2000 - work in progress
>"Feliz Navidad"- using the press on the spread of New Viruses - send an e-mail entitled, - "Feliz Navidad"
Target : galleries, museums, art critics and all the addresses that arrive to me directly or indirectly. All messages will be sent addressed adpersonam.
2001 - work in progress
>"Catolina0%"- using the press on the spread of New Viruses - send an e-mail entitled,
- Cartolina 0%- : Ciao, un tuo amico ti ha spedito una cartolina virtuale...mooolto particolare!
Target : galleries, museums, art critics and all the addresses that arrive to me directly or indirectly. All messages will be sent addressed adpersonam.
2001 - work in progress
>”HOMEPAGE" - it consists in sending an invitation to meet a new homepage
using the information available from the media on New Viruses
Target : galleries, museums, art critics and all the addresses that arrive to me directly or indirectly. All messages will be sent addressed adpersonam.
2001 - work in progress
>”FW: tu sei un virus" - send an e-mail entitled: FW: tu sei un virus _<<WARNING: attention my e-mail list>>
Target : my e-mail list>>
2001 - work in progress
Bibliographhy
Paulo Herkenhoff, A arte e seus materiais ”Atitudes Contemporaneas”, Funarte/Instituto Nacional de Artes Plasticas, 1985
Paulo Herkenhoff, josé oiticica filho- a ruptura da fotografia nos anos 50”, Edição Funarte – Rio de Janeiro ,1983
Paulo Herkenhoff, “Em arte nada se cria,nada se perde, tudo se transforma”, Seria muito estranho se esse filme não existisse, exibition Movi “Historia da Arte” -Essila Paraiso- , André Parente 1982
Frederico de Morais, “ Em arte nada se cria,nada se perde, tudo se transforma”, O Globo, Rio de Janeiro,11/07/82
Fernando Cocchiralle, catalogue -”Viagem Pitoresca”, Solar Grandjean de Montgny, PUC, Rio de Janeiro,1981
Wilson Coutinho, Pitoresco Industrial, Jornal do Brasil, Rio de Janeiro, 27/11/81
Walmir Ayala, Historia da Arte no mercado, Correio da manhã, Rio de Janeiro, 1980
Frederico de Morais, Um isqueiro, um chilelo: através do consumo, Essila conta a historia da arte, O Globo, Rio de Janeiro,04 /07/80
Frederico de Morais, “Em debate: fotografia e historia da arte”, O Globo, Rio de Janeiro,13/06/80
Fernando Cocchiralle, catalogue of-” A Historia da Arte”, Espaço ABC, Rio de Janeiro, 1980
Francisco Bittencourt, Essila Pariso na EAV, Jornal do Brasil ,Rio de Janeiro, 1976
Frederico de Morais, Expor o exposto ou a negação da Imagem, Globo, Rio de Janeiro, 24/05/78
Frederico de Morais, Cursos, concursos e o discurso conceitual, O Globo, Rio de Janeiro, 1977